Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues that the audience plays with fiction horror.…
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"Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues we play with fiction horror. In horror we engage not only wi…
Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues we play with fiction horror. In horror we engage not only wit…
Mastering Fear analyzes horror as play and examines what functions horror has and why it is adaptive and beneficial for audiences, including women. It takes a biocultural approach, and focusing on emotions, gender, and play, it argues that the audience plays with fiction horror.…
"Narrative and spectacle describe two extremes of film content, but the oeuvres of John Cassavetes and David Cronenberg resist such categorization. Instead, Robert Furze argues, the defining characteristic of Cassavetes and Cronenberg' respective approaches is that of ʺvisceralʺ…
"Narrative and spectacle describe two extremes of film content, but the oeuvres of John Cassavetes and David Cronenberg resist such categorization. Instead, Robert Furze argues, the defining characteristic of Cassavetes and Cronenberg' respective approaches is that of ʺvisceralʺ…
