Of interest to students and scholars of 16th-17th century literature and drama, Shakespeare and Renaissance studies, this book looks at issues of death. It is presented in three parts.
"Death, like most experiences that we think of as 'natural', is a product of the human imagination: all animals die, but only human beings suffer Death; and what they suffer is shaped by their own time and culture. Tragedy was one of the principal instruments through which the c…
Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an i…
Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an i…
Drawing upon scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ the languages of sex in the service of satiric aggression.
"Drawing upon recent scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ the languages of sex - including sexual slander, titillation, insinuation and o…
Drawing upon recent scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ the languages of sex-including sexual slander, titillation, insinuation and obsc…
