"Long, stichomythic dialogues in the tragedies of Euripides are connected with some of the greatest problems of critical appreciation. The form is considered unnatural particularly when characters use stichomythia to tell stories to each other. In Shared Storytelling in Euripide…
Long, stichomythic dialogues in the tragedies of Euripides are connected with some of the greatest problems of critical appreciation. The form is considered unnatural particularly when characters use stichomythia to tell stories to each other. In Shared Storytelling in Euripidea…
In Shared Storytelling in Euripidean Stichomythia Liesbeth Schuren offers pragmatic and narratological approaches to stichomythic dialogue in the tragedies of Euripides.
"Long, stichomythic dialogues in the tragedies of Euripides are connected with some of the greatest problems of critical appreciation. The form is considered unnatural particularly when characters use stichomythia to tell stories to each other. In Shared Storytelling in Euripide…
"Long, stichomythic dialogues in the tragedies of Euripides are connected with some of the greatest problems of critical appreciation. The form is considered unnatural particularly when characters use stichomythia to tell stories to each other. In Shared Storytelling in Euripide…
Ancient drama in music for the modern stage
by Goldhill, Simon, Cowan, Robert, Walsh, Stephen, Belina, Anastasia, Forment, Bruno, Beard, David, Strohm, Reinhard, Savage, Roger, Heller, Wendy Beth, Ograjenšek, Suzana, Ewans, Michael, Attfield, Nicholas, Beta, Simon, Burden, Michael, Geary, Jason, Ketterer, Robert C., Napolitano, Michele, Thorp, Jennifer, Wolff, Christian, Wygant, Amy
