"How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? Why is everything that …
"How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? Why is everything that …
How was it possible, by the later twentieth century, to have erased women as artists from art history so comprehensively that the idea of 'the artist' was exclusively masculine? Why was this erasure more radical in the twentieth century than ever before? Why is everything that c…
Explores the sacred and the feminine in art, architecture, literature, art history, music, philosophy, theology, critical theory and cultural studies. This book addresses key issues in feminist questions of creativity, the imaginary and the sacred as 'otherness', examining the w…
Exploration of the sacred and the feminine in art, architecture, literature, art history, music, philosophy, theology, critical theory and cultural studies. This collection is an art-historical engagement with and theoretical response to the published correspondence between Juli…
The notion of a special intimacy between 'the feminine and the sacred' has received significant attention since the publication of Julia Kristeva and Catherine Clement's famous ecumenical "Conversation" of the same name which focused on the relationship between meaning and the b…
