"Since 1985, a group of anonymous women wearing gorilla masks and brandishing glue brushes have taken zap actions at the art world's "stale, male, Yale" establishment. Their wonderfully smart-ass posters have bedecked city walls, converted elitist curators, become collector's it…
Since 1985, a group of anonymous women wearing gorilla masks and brandishing glue brushes have taken zap actions at the art world's "stale, male, Yale" establishment. Their wonderfully smart-ass posters (example: "Advantages of being a woman artist: Working without the pressure …
Since 1985, a group of anonymous women wearing gorilla masks and brandishing glue brushes have taken zap actions at the art world's "stale, male, Yale" establishment. Their wonderfully smart-ass posters (example: "Advantages of being a woman artist: Working without the pressure …
"Fair Women was an early example of a Victorian 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and comprised both historical and contemporary portraits of women as well as decorative objects. Meaghan Cl…
"Fair Women was an early example of a Victorian 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and comprised both historical and contemporary portraits of women as well as decorative objects. Meaghan Cl…
"Fair Women was an early example of a Victorian 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and comprised both historical and contemporary portraits of women as well as decorative objects. Meaghan Cl…
"Fair Women was an early example of a Victorian 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and comprised both historical and contemporary portraits of women as well as decorative objects. Meaghan Cl…
"Fair Women was an early example of a Victorian 'blockbuster' exhibition. Organised by a committee of women, it opened to great fanfare in the Grafton Galleries in London, and comprised both historical and contemporary portraits of women as well as decorative objects. Meaghan Cl…
Feminist visual activism and the body
by Schmahmann, Brenda, Chambers, Paula, Dekel, Tal, Górska, Magdalena, Hamad, Mario, Kokoli, alexandra, Korporaal, Astrid N., Kwok, Evelyn, Makhubu, Nomusa, Murney, Anastasia, Reiman, Karen Cordero, Robinson, Huilary, Wallace, Caroline, Waters, Sera
fromRoutledge Research in Gender and Art
El libro aborda el activismo visual feminista contemporáneo desde la óptica de la materialización. Los autores investigan cómo el arte se articula y compromete con la crítica política actual, negociando con y a través del cuerpo en temas como igualdad, descolonización, justicia …
"This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social justice, democracy, precarit…
"This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social justice, democracy, precarit…
This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonisation, social justice, democracy, precarity…
"This book examines contemporary feminist visual activism(s) through the lens of embodiment(s). The contributors explore how the arts articulate and engage with the current sense of crisis and political concerns (e.g. equality, decolonization, social justice, democracy, precarit…