"The merging of the autobiographical with the philosophical or theoretical traced through feminist conceptual art, performance art, literature, philosophy, and activism"--
Performing #metoo: how not to look away
"In performing #MeToo: How Not to Look Away editor Judith Rudakoff brings together twelve artists, activists, allies, and scholars who offer a range of perspectives on the movement by engaging with performance from a variety of time periods, analysed in a diversity of style, dis…
Performing #metoo: how not to look away
Performing #metoo: how not to look away
"In performing #MeToo: How Not to Look Away editor Judith Rudakoff brings together twelve artists, activists, allies, and scholars who offer a range of perspectives on the movement by engaging with performance from a variety of time periods, analysed in a diversity of style, dis…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
The book provides a comparison of the work of Tracey Emin and He Chengyao in a global contemporary art context. It demonstrates why their work constitutes not only the self, but they practice an ontological identification relationship between subjectivity and art practice that e…
In Alma Lopez's digital print Lupe & Sirena in Love (1999), two icons-the Virgin of Guadalupe and the mermaid Sirena, who often appears on Mexican lottery cards-embrace one another, symbolically claiming a place for same-sex desire within Mexican and Chicano/a religious and popu…
"In THE PLAY IN THE SYSTEM Anna Watkins Fisher asks what kind of room for maneuver remains in a system from which there appears to be no way out. Arguing that traditional leftist modes of opposition and refusal, which presuppose an autonomous or emancipatory subject, have proven…
"In THE PLAY IN THE SYSTEM Anna Watkins Fisher asks what kind of room for maneuver remains in a system from which there appears to be no way out. Arguing that traditional leftist modes of opposition and refusal, which presuppose an autonomous or emancipatory subject, have proven…
User be used : leveraging the coercive hospitality of corporate platforms -- An opening in the structure : Núria Güell and Kenneth Pietrobono's legal loopholes -- Hangers-on : Chris Kraus' parasitical feminism -- A seat at the table : feminist art's institutional absorption, mil…