Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well…
'Frozen in Showcases': Feminist Film Theory and the Abstraction of Woman. -- The Camera as an Irigarayan Speculum. -- In the Cut: Self-Endangerment or Subjective Strength?. -- Lost in Translation: The Potential of Becoming. -- Morvern Callar: In a Sensory Wonderland. -- Architec…
Film and Female Consciousness explores the representation of female consciousness on-screen and demonstrates the ways in which the thought of Luce Irigaray can be used to address the traditional problems of the objectification of women in cinema as outlined by feminist theory si…
Film and Female Consciousness explores the representation of female consciousness on-screen and demonstrates the ways in which the thought of Luce Irigaray can be used to address the traditional problems of the objectification of women in cinema as outlined by feminist theory si…
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well…
Film and Female Consciousness analyses three contemporary films that offer complex and original representations of women's thoughtfulness and individuality: In the Cut (2003), Lost in Translation (2003) and Morvern Callar (2002). Lucy Bolton compares these recent works with well…
Feminist film theory and Cléo from 5 to 7
Feminist film theory and Cléo from 5 to 7
Feminist film theory and Cléo from 5 to 7
Feminist film theory and Cléo from 5 to 7
Feminist film theory and Cléo from 5 to 7
Feminist film theory and Cléo from 5 to 7
Feminist film theory and Cléo from 5 to 7
This volume offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cleo from 5 to 7. Through three key concepts - identification, framing the woman's body, …
Feminist film theory and Cléo from 5 to 7
The Film Theory in Practice series marries the explanation of a film theory with the interpretation of a film. Through three key concepts-identification, framing the woman's body, and the female auteur-Hilary Neroni lays bare the debates and approaches used throughout the vibran…
"This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women's equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new mov…
"This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women's equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new mov…
"This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women's equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new mov…