In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for…
"An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present."--Publisher's website.
"R. Bruce Elder argues that the authors of many of the lively manifestos that announced the appearance of new artistic movements shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that these arts might take on attributes of the …
"R. Bruce Elder argues that the authors of many of the lively manifestos that announced the appearance of new artistic movements shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that these arts might take on attributes of the …
Framing pictures: film and the visual arts
"High modernism is now as far from us as antiquity was for the Renaissance. Such is the premise of Fredric Jameson's major new work in which modernist works, this time in painting (Rubens) and music (Wagner and Mahler) are pitted against late-modernist ones (in film) as well as …
Film, like the printed imagery inaugurated during the Renaissance, spread ideas--not least the idea of the power of visual art--across not only geographical and political divides but also strata of class and gender. Moving Pictures and Renaissance Art History examines the early …
Digital baroque: new media art and cinematic folds
Explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will…
Using continental philosophy and critical theory, Homay King returns to the original meaning of the virtual - which denotes a potential on the cusp of becoming - to offer a new way to understand how contemporary digital art transcends distinctions between digital and analog, abs…
"This interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about t…
Written after the author stopped directing films and based around his tactile art objects, poems, experiments and games, also includes dialogues with and artworks by other Czech and Slovak surrealist artists.
"The first book to tell the story of the postwar expanded cinema that would inspire the now ubiquitous presence of the moving image in contemporary art. In the 1950s and 1960s, the rise of television caused movie theaters to lose their monopoly over the moving image. Andrew V. U…
Dan Graham's Rock My Religion (1982-84) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Black Flag and Glenn Branca) and historical figures (including Ann Lee, founder of the Shakers). This coming together of several narrative voice-overs, of s…