"A collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. ... With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist,…
Collects the essays that examine the effects of music and its ability to provoke or intensify fear in the genre of horror film, address the presence of music in horror films and their potency within them, and delve into the films like "The Exorcist", "The Shining", "The Sixth Se…
This book is a study of how popular music has participated in the cinematic construction of gender, with a special focus on the action genre and films that share action cinema's interest in spectacularly violent masculinities
Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from El…
"Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw u…
"Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw u…
The twelve essays presented in this volume are drawn from the Fifth International Conference on Word and Music Studies held at Santa Barbara, CA, in 2005. The conference was organized and sponsored by The International Association for Word and Music Studies (WMA) and in its cent…
"The twelve essays presented in this volume are drawn from the Fifth International Conference on Word and Music Studies held at Santa Barbara, CA, in 2005. The conference was organized and sponsored by The International Association for Word and Music Studies (WMA) and in its cen…
How did the introduction of recorded music affect the production, viewing experience, and global export of movies? In Movies, Songs, and Electric Sound, Charles O'Brien examines American and European musical films created circa 1930, when the world's sound-equipped theaters scre…
New Babylon (1928-1929) and scoring for the silent film -- Alone (1929-1931) and the beginnings of sound film -- Golden mountains (1931) and the new Soviet sound film -- Counterplan (1932) and the socialist realist film -- Youth of maxim (1934-1935) and the minimal score -- Girl…