Cinesonic: cinema and the sound of music.
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Annotation Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, includi…
"Relatively little has been written about film scores and soundtracks outside of Hollywood cinema. Hollywood Theory, Non-Hollywood Practice addresses this gap by looking at the practices of film soundtrack composition for non-Hollywood films made after 1980. Annette Davison argu…
"Relatively little has been written about film scores and soundtracks outside of Hollywood cinema. Hollywood Theory, Non-Hollywood Practice addresses this gap by looking at the practices of film soundtrack composition for non-Hollywood films made after 1980. Annette Davison argu…
"Relatively little has been written about film scores and soundtracks outside of Hollywood cinema. Hollywood Theory, Non-Hollywood Practice addresses this gap by looking at the practices of film soundtrack composition for non-Hollywood films made after 1980. Annette Davison argu…
Because silent cinema is widely perceived as having been exactly that--silent--no one has fully examined how sounds was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on extensive …
Overview: Because silent cinema is widely perceived as having been exactly that-silent-no one has fully examined how sounds was used to accompany the films of this era. Silent Film Sound reconsiders all aspects of sound practices during the entire silent film period. Based on ex…
This book provides a soundmap to a hundred films that engage the ears. Covering titles as diverse as Car Wash and Apocalypse Now, Le Samourai and Stalker, Shaft and Citizen Kane each entry outlines the film's distinctive contribution to the hitherto underexplored world of sound …
First published in 1947, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies.
First published in 1947, this account of the nature of film music aesthetics has a wider scope as a study of modern, industrialized culture, as well as being relevant to the whole area of cultural studies.
