"Framing Latin American Cinema embraces multiple modes of scholarship, juxtaposing feature films and documentaries, and locating cinema within larger cultural debates. Considering works from Argentina, Brazil, Cuba, Colombia, Guatemala, Mexico and Venezuela, the contributors add…
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In Transnational Korean Cinema author Dal Yong Jin explores the interactions of local and global politics, economics, and culture to contextualize the development of Korean cinema and its current place in an era of neoliberal globalization and convergent digital technologies. Th…
The author traces the intertwined history of British and Indian cinema in the late colonial period, revealing how popular film styles and controversial film regulations in the politically linked territories of Britain and India reconfigured imperial relations.
How did the imperial logic underlying British and Indian film policy change with the British Empire's loss of moral authority and political cohesion? Were British and Indian films of the 1930s and 1940s responsive to and responsible for such shifts? Cinema at the End of Empire i…
![Begeisterte Zuschauer [Elektronische Ressource]](https://covers.openlibrary.org/b/isbn/9783869625638-M.jpg?default=false)
Mediale Mobilmachung meint weit mehr als die filmische Veranschaulichung einer ideologischen Botschaft. Sie verlangt, "zu elementaren Konfliktstellungen zu kommen, die mit den natürlichen Sinnen, den Augen und Ohren, ohne komplizierte Denkprozesse aufgenommen, das heißt unmittel…
The politics of the Soviet cinema, 1917-1929
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Type: Book
