A comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media.
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A comprehensive work defining and encapsulating concepts, issues and applications in and around the use of sound in film and the cinema, media/broadcast and new media.
Understanding Sound Tracks Through Film Theory analyzes all aural aspects of cinema using several approaches: feminism, genre studies, post-colonialism, psychoanalysis, and queer theory. In her analysis of each sound track, Walker brings together film studies, musicology, histor…
Until recently, most scholars neglected the power of hearing cinema as well as seeing it. 'Understanding sound tracks through film theory' breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. The book includes sustained an…
"Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, fe…
Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, fem…
Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, fem…
Understanding Sound Tracks Through Film Theory breaks new ground by redirecting the arguments of foundational texts within film theory to film sound tracks. Walker includes sustained analyses of particular films according to a range of theoretical approaches: psychoanalysis, fem…
Cinema as event - The material heterogeneity of recorded sound - Four and a half film fallacies - Sound space - Reading, writing and representing sound - She sang live, but the microphone was turned off: the live, the recorded, and the subject of representation - Sound/history -…
Cinema as event - The material heterogeneity of recorded sound - Four and a half film fallacies - Sound space - Reading, writing and representing sound - She sang live, but the microphone was turned off: the live, the recorded, and the subject of representation - Sound/history -…
Contains interviews with film sound professionals.