Presents adaptations of ten fairy tales originally preserved by Jacob and Wilhelm Grimm.
Grimm's fairy tales
by Grimm, Jacob, Grimm, Wilhelm, Canga, C. B., Kelly, Karen
fromCalico illustrated classics
Presents adaptations of ten fairy tales originally preserved by Jacob and Wilhelm Grimm.
Grimm's fairy tales
by Grimm, Jacob, Grimm, Wilhelm, Canga, C. B., Kelly, Karen
fromCalico illustrated classics
Presents adaptations of ten fairy tales originally preserved by Jacob and Wilhelm Grimm.
"From Cinderella to the Boy Who Cried Wolf to the Dragon Slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an astonishing longevity; many s…
Om återkommande motiv i folkdiktning och antika myter.
From Cinderella to The boy who cried wolf to The dragon slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an astonishing longevity; many su…
From Cinderella to The boy who cried wolf to The dragon slayer to the Judgment of Solomon, certain legends, myths, and folktales are part of the oral tradition in countries around the world. In addition to their pervasiveness, these stories show an astonishing longevity; many su…
Who speaks? The author as producer, the contingency of the text, intertextuality, the "device"--Core ideas of modern literary theory-were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical…
Who speaks? The author as producer, the contingency of the text, intertextuality, the "device"--Core ideas of modern literary theory-were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical…
The ethnography of rhythm: orality and its technologies
by Saussy, Haun
fromVerbal arts
Machine generated contents note: -- Preface -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- "Two or Three Hundred Rhythmic Formulae -- Festivals of Rhythm -- The Oral Style -- Formula as System -- Langue, Parole, and Constraint -- 2. Writing as One Form …