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A compelling portrait of Mary Wollstonecraft that shows the intimate connections between her life and workMary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomasell…
"Mary Wollstonecraft's A Vindication of the Rights of Woman, first published in 1792, is a work of enduring relevance in women's rights advocacy. However, as Sylvana Tomaselli shows, a full understanding of Wollstonecraft's thought is possible only through a more comprehensive a…
Viewing the film Mama (2013) through the lens of a certain Gothic text, Mary Shelley’s Frankenstein, reveals similar fears of the feminine alongside the focus of the nature of the in-between. These commonalities between the texts reveal an emerging trend in modern monster-horror…
Intro -- Einleitung -- I Die Horror-Klassiker Dracula und Frankenstein -- Susanne Bach This motion picture sucks Francis Ford Coppolas Bram Stoker's Dracula -- I. -- II. -- III. -- IV. -- V. -- VI. -- VII. Fazit -- Primärquellen -- Literatur -- Internetquellen -- Arno Rußegger I…
The purpose of undertaking this research is to identify the cross-cultural translation challenges that Arab translators often encounter while translating nineteenth-century English novels. This has been done by examining translations of two well-known texts of the period, Jane E…
In Shelley scholarship, there has been controversy as to whether Shelley is radical or conservative, feminist or ambivalent towards feminine self-assertion. There has also been disagreement over the extent to which she is critical of key Romantic ideas, especially that of transc…
Monstrous Fictions of the Human considers the body as a site of decision between human and monster. Fictions of making and unmaking bodies deemed human or otherwise reveal the tenuous nature of distinctions upon which these definitions are constructed. Such fictions insist on th…