Frans

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Maurice Blanchot emerged after World War II as a key figure in the literary world, though he was known by some of his contemporaries in France for his contributions to interwar journals on the militant right. How did this happen? Why have literary critics, as in the recent scand…

Why have literary critics, as in the cases of Martin Heidegger and Paul de Man, chosen to ignore or suppress Blanchot's right-wing interwar and wartime writings, focusing instead on his postwar production? Scandal and Aftereffect provides an enlightening and provocative examinat…