Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterizations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best ackn…
Letters from prison, songs, poems, and courtroom statements, plus tributes to the punk band that shook the world.
Women making art: history, subjectivity, aesthetics
Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognized altogether. Women Making Art asks why this is so, and what it would take for us to realize the extent of women's extraordinary contribution to the arts. Marsha Meskimmon …
""Meskimmon discusses the work of artists such as Deborah Lefkowitz, Trinh T. Minh-ha, Cornelia Parker, Faith Ringgold, Mona Hatoum and Maria Helene Vieira da Silva, as well as other, less well-known artists from around the world. Focusing on historical, theoretical and aestheti…
"In 1972 the artist Adrian Piper began periodically dressing as a persona called the Mythic Being, striding the streets of New York in a mustache, Afro wig, and mirrored sunglasses with a cigar in the corner of her mouth. Her Mythic Being performances critically engaged with pop…
Writings on the changing relationship between feminism and art production and criticism, and the impact of intergenerational struggle in the contemporary art world.
"Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings i…