This volume examines the gangster film in its historical context with an emphasis on the ways the image of the gangster has adapted and changed as a result of socio-cultural circumstances. From its origins in Progressive-era reforms to its use as an indictment of corporate greed…
Mafia movies: a reader
"The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of th…
"The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of th…
For this expanded edition, Kaplan has brought together further essays which reflect the renewed interest in Film Noir which is apparent today.
Film genre reader IV
"Newly revised and expanded nearly a decade after the third edition, Film Genre Reader is the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. This fourth edition adds new essays on genre definition and cycles, action movie…
"This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is ca…
"This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is ca…
"This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is ca…
The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives fou…
Mafia movies: a reader