"In a critique of major voices in the history of genre theory from Aristotle to Wittgenstein, Altman reveals the conflicting stakes for which the genre game has been played. Recognising that the very term 'genre' has different meanings for different groups, he bases his new genr…
"Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings…
In a critique of major voices in the history of genre theory from Aristotle to Wittgenstein, Rick Altman reveals the conflicting stakes for which the genre game has been played. Recognizing that the very term "genre" has different meanings for different groups, he bases his new …
Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of …
An understanding of genres in communication (written and spoken) is essential to professional success. This volume studies situationally appropriate responses in professional communication in face-to-face interaction and distance communication, from a socio-cognitive point of vi…
Genre, frames and writing in research settings
Genre, frames, and writing in research settings
This book attempts to develop a perspective on genre which incorporates the aspect of what leads users of a language to recognise a communicative event as an instance of a particular genre.
Genre, frames, and writing in research settings
This book presents a perspective on genre based on what it is that leads users of a language to recognise a communicative event as an instance of a particular genre. Key notions in this perspective are those of prototype, inheritance, and intertextuality; that is, the extent to …
Covering the grown of twentieth-century American popular music, this work explores the question of why some music styles attain mass popularity while others thrive in small niches.