"Our main words defining emotional states suggest that we have clarity about them: expressions like 'love', 'hatred', 'anxiety', or 'sorrow' seem clear enough. The reality, however, tends to be more complicated. We are often faced with gestures and utterances that are difficult …
"Our main words defining emotional states suggest that we have clarity about them: expressions like 'love', 'hatred', 'anxiety', or 'sorrow' seem clear enough. The reality, however, tends to be more complicated. We are often faced with gestures and utterances that are difficult …
"Around 1700, German novels featured chivalrous narratives with female protagonists, but only went on to become a "literary genre" in the 18th century. This study analyzes for the first time the principles of constructing chivalrous femininity in the novel (1690-1720) and descri…
"Around 1700, German novels featured chivalrous narratives with female protagonists, but only went on to become a "literary genre" in the 18th century. This study analyzes for the first time the principles of constructing chivalrous femininity in the novel (1690-1720) and descri…
"Around 1700, German novels featured chivalrous narratives with female protagonists, but only went on to become a "literary genre" in the 18th century. This study analyzes for the first time the principles of constructing chivalrous femininity in the novel (1690-1720) and descri…
"Around 1700, German novels featured chivalrous narratives with female protagonists, but only went on to become a "literary genre" in the 18th century. This study analyzes for the first time the principles of constructing chivalrous femininity in the novel (1690-1720) and descri…
N. S. Rubashov, an old guard Communist, falls victim to an unnamed government; with outstanding psychological insight, Koestler traces his story through arrest, imprisonment and trail in a classic novel which, when first published, famously drew attention to the nature of Stalin…
Darkness at noon
by Koestler, Arthur, Hardy, Daphne
fromVintage classics (London, England)
First published in 1940, the story of an old-guard Communist who falls victim to Stalin's purges, yet attains a personal freedom in his destruction.