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In New York and London during World War I, the performance of lieder - German art songs- was roundly prohibited, representing as they did the music and language of the enemy. But as German musicians returned to the transatlantic circuit in the 1920s, so too did the songs of Fran…
In New York and London during World War I, the performance of lieder - German art songs- was roundly prohibited, representing as they did the music and language of the enemy. But as German musicians returned to the transatlantic circuit in the 1920s, so too did the songs of Fran…
„Und er gehorcht, indem er überschreitet": Was Rainer Maria Rilke in seinen „Orpheus"-Sonetten formuliert, lässt sich auch als Motto des Komponierens für Stimme lesen. Von Monteverdi bis heute versuchen Komponistinnen und Komponisten, den Möglichkeiten der menschlichen Stimme zu…
A groundbreaking study into the parallel developments of worship and musical performance in Hindu culture.
