This book is a major new contribution to the study of cultural identities in Britain and Ireland from the Reformation to Romanticism. It provides a fresh perspective on the rise of interest in British vernacular (or "folk") cultures, which has often been elided with the emergenc…
The essays in this volume reflect on the fall of the British Empire, and its resonance in British popular culture. The demise of the Empire during the three decades following WWII transformed Britain's relationships with the wider world, and within Britain itself. The contributo…
The demise of the British Empire in the three decades following World War II is a theme that has been well traversed in studies of post-war British politics, economics and foreign relations. Yet there has been strikingly little attention to the question of how these dramatic cha…
This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire c…
The essays in this volume reflect on the fall of the British Empire, and its resonance in British popular culture. The demise of the Empire during the three decades following WWII transformed Britain's relationships with the wider world, and within Britain itself. The contributo…
The essays in this volume reflect on the fall of the British Empire, and its resonance in British popular culture. The demise of the Empire during the three decades following WWII transformed Britain's relationships with the wider world, and within Britain itself. The contributo…
Between the opulent Edwardian years and the 1920s, between the England of Pomp and Circumstance, the first Post-Impressionist show and Man and Superman and the England of The Waste Land, Facade and The Green Hat, World War I opens like a gap in history, separating one world of b…
This book explores how Edwardian art writing shaped and narrated embodied, performative forms of aesthetic spectatorship. It argues that we need to expand the range of texts we think of as art writing, and features a diverse array of critical and fictional works, often including…
