The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using Af…
The Making of the New Negro examines black masculinity in the period of the New Negro/Harlem Renaissance, which for many decades did not attract a lot of scholarly attention, until, in the 1990s, many scholars discovered how complex, significant, and fascinating it was. Using Af…
In 1920s Harlem, sixteen-year-old Mark Purvis, an aspiring jazz saxophonist, gets a summer job as an errand boy for the publishers of the groundbreaking African American magazine, "The Crisis," but soon finds himself on the enemy list of mobster Dutch Shultz.
In 1920s Harlem, sixteen-year-old Mark Purvis, an aspiring jazz saxophonist, gets a summer job as an errand boy for the publishers of the groundbreaking African American magazine, "The Crisis," but soon finds himself on the enemy list of mobster Dutch Shultz
This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s
The 1920s in New York was a time of passion and freedom, in which new forms of art, including jazz and modern dance, flourished. At the heart of this cultural explosion was Harlem, where everything was changing, including the influential denizens who helped define it. Among thes…
New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one …
This interracial history of the Harlem Renaissance focuses on white women, collectively called "Miss Anne," who became Harlem Renaissance insiders during the 1920s.
By paying special attention to the contributions of photographers and other visual artists who have not been discussed in previous accounts of black modernism, Thaggert expands the scope of our understanding of the Harlem Renaissance and contributes to a growing recognition of t…
"Focusing on the years from 1922 to 1938, this book revisits an important moment in black cultural history to explore how visual elements were used in poems, novels, and photography to undermine existing stereotypes. Miriam Thaggert identifies and analyzes an early form of black…