"This book considers early modern and postmodern ideals of health, vigor, ability, beauty, well-being, and happiness, uncovering and historicizing the complex negotiations among physical embodiment, emotional response, and communally-sanctioned behavior in Shakespeare's literary…
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Elizabeth Freeman expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes andassembled into groups in ways that created new forms of soci…
In Beside You in Time Elizabeth Freeman expands biopolitical and queer theory by outlining a temporal view of the long nineteenth century. Drawing on Foucauldian notions of discipline as a regime that yoked the human body to time, Freeman shows how time became a social and senso…
Shake it off : the physiopolitics of Shaker dance, 1774-1856 -- The gift of constant escape : playing dead in African American literature, 1849-1900 -- Feeling historicisms : libidinal history in Twain and Hopkins -- The sense of unending : defective chronicity in "Bartleby, the…
In Beside You in Time Elizabeth Freeman expands biopolitical and queer theory by outlining a temporal view of the long nineteenth century. Drawing on Foucauldian notions of discipline as a regime that yoked the human body to time, Freeman shows how time became a social and senso…
Expands biopolitical and queer theory by outlining a temporal view of the long nineteenth century. Drawing on Foucauldian notions of discipline as a regime that yoked the human body to time, Freeman shows how time became a social and sensory means by which people assembled into …
In Beside You in Time Elizabeth Freeman expands biopolitical and queer theory by outlining a temporal view of the long nineteenth century. Drawing on Foucauldian notions of discipline as a regime that yoked the human body to time, Freeman shows how time became a social and senso…
Elizabeth Freeman expands bipolitical and queer theory by outlining a temporal view of the long nineteenth century and showing how time became a social and sensory means by which people resisted disciplinary regimes and assembled into groups in ways that created new forms of soc…
"This book argues for a new way of reading tragedy that attends to how bodies on the ancient Athenian stage pivot between subject and object, human and inhuman, and so serve as vehicles for confronting the edges of the human -for thinking beyond or without or instead of it. At t…
"This book argues for a new way of reading tragedy that attends to how bodies on the ancient Athenian stage pivot between subject and object, human and inhuman, and so serve as vehicles for confronting the edges of the human -for thinking beyond or without or instead of it. At t…
"This book argues for a new way of reading tragedy that attends to how bodies on the ancient Athenian stage pivot between subject and object, human and inhuman, and so serve as vehicles for confronting the edges of the human -for thinking beyond or without or instead of it. At t…
"This book argues for a new way of reading tragedy that attends to how bodies on the ancient Athenian stage pivot between subject and object, human and inhuman, and so serve as vehicles for confronting the edges of the human -for thinking beyond or without or instead of it. At t…
