Digital baroque: new media art and cinematic folds
Digital baroque: new media art and cinematic folds
Digital Baroque: New Media Art and Cinematic Folds
In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book#x92;s title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and une…
Digital baroque: new media art and cinematic folds
Digital baroque: new media art and cinematic folds
"In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpe…
Digital baroque: new media art and cinematic folds
Digital baroque: new media art and cinematic folds
In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpec…
Digital baroque: new media art and cinematic folds
In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpec…
This exhibition brings together a historic group of single-channel videos and media installations and over a hundred photomonages.
"Almost a half-century after Yayoi Kusama debuted her landmark installation 'Infinity Mirror Room - Phalli's Field' (1965) in New York, the work remains challenging and unclassifiable. Jo Applin looks at the installation in detail and places it in the context of subsequent art p…
Yayoi Kusama: Infinity Mirror Room - Phalli's Field
by Kusama, Yayoi, Applin, Jo, Afterall
fromOne work
Almost a half-century after Yayoi Kusama debuted her landmark installation 'Infinity Mirror Room - Phalli's Field' (1965) in New York, the work remains challenging and unclassifiable. Jo Applin looks at the installation in detail and places it in the context of subsequent art pr…
"Jan Švankmajer wrote this remarkable book on tactile art when he stopped directing films and experimented intensively with tactile art after trepeated censorship by the Czechoslovakia. Illustrated with over 100 images, the book is organised around many reproductions of Švankmaj…
"This innovative study of two of the most important artists of the twentieth century links the art practices of Allan Kaprow and Robert Smithson in their attempts to test the limits of art--both what it is and where it is. Ursprung provides a sophisticated yet accessible analysi…