Keith Johnstone entered the Royal Court Theatre as a new playwright in 1956: a decade later he emerged as a groundbreaking director and teacher of improvisation. His decisive book Impro (1979), described Johnstone's unique system of training: weaving together theories and techni…
This is a study of the role of disguise devices in early modern English drama that focuses on the theatrical or material performance of spectacle of disguise, which Hyland (early modern literature and drama, U. of Western Ontario, Canada) argues other scholars have tended to neg…
"How do twenty-first century theatre practitioners negotiate the dynamics of tradition and innovation across the works of Samuel Beckett? Beckett's own tendencies toward fluidity of genre, iteration/repetition, and collaboration - modes that also define the 'experimental' - allo…
"How do twenty-first century theatre practitioners negotiate the dynamics of tradition and innovation across the works of Samuel Beckett? Beckett's own tendencies toward fluidity of genre, iteration/repetition, and collaboration - modes that also define the 'experimental' - allo…
'Global Ibsen' the different ways in which Ibsen's plays were & are performed in different cultures on five continents & examines the impact of such performances on the theatre, social life & politics of these cultures. It shows that performing Ibsen means performing multiple mo…
Directing the Documentary is a comprehensive manual that has inspired over 100,000 readers worldwide. If you are interested in making documentary films, everything you need technically and conceptually is here. Filled with practical advice on every stage of production, this is t…
1. In search of a national theatre -- 2. The nation and its folk -- 3. What is Indian?
