Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western …
The Islamic world developed its own highly sophisticated, effective and varied style of fortification. It drew upon pre-existing Romano-Byzantine, Iranian, Central Asian and Indian traditions of military architecture, plus influences from China, to produce something new and dist…
This book explains how the worship requirements of the mosque and the Chinese architectural system converged. What happens when a monotheistic, aniconic, foreign religion needs a space in which to worship in China, a civilisation with a building tradition that has been largely u…