This is a unique, eye-witness account of everyday life right at the heart of the Nazi extermination machine. Slomo Venezia was born into a poor Jewish-Italian community living in Thessaloniki, Greece. At first, the occupying Italians protected his family; but when the Germans in…
Analyzing Dante's influence on Primo Levi's writings on the Holocaust, contends that Levi's first and last books - "Se questo e un uomo" (1947) and "I sommersi e I salvati" (1986) - share much with Dante's "Inferno." Both struggle with a definition of justice, ponder the weight …
Auschwitz-Birkenau is the site of the largest mass murder in human history. Yet its story is not fully known. In Auschwitz, Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the fi…
Auschwitz-Birkenau is the site of the largest mass murder in human history. Yet its story is not fully known. In Auschwitz, Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the fi…
"From January to April 2000, a high-profile libel case brought by the British historian David Irving against Penguin Books and Deborah Lipstadt, charging that Lipstadt's book Denying the Holocaust (1993) falsely labeled him a Holocaust denier, was tried in the British High Court…
"Ogni volta che posso chiedo a mio padre di parlarmi di Lodz, della sua famiglia, di Auschwitz. Nel farlo sollevo automaticamente la manica della sua camicia, mettendo a nudo il numero tatuato sul suo braccio. Mentre mi parla continuo a fissare quel numero che diventa uno scherm…
"In 1980, Julia Kristeva's essay on abjection, Pouvoirs de l'horreur, was first published in France and subsequently translated into English as Powers of horror. Nicholas Chare's book provides a critical and careful reassessment of Kristeva's often misunderstood writings on the …
According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment. …
"From the moment I got to Auschwitz I was completely detached. I disconnected my heart and intellect in an act of self-defense, despair, and hopelessness." With these words Sara Nomberg-Przytyk begins this painful and compelling account of her experiences while imprisoned for tw…