Locating a shared interest in the philosophy of "art for art's sake" in aestheticism and modernismo, this study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics an…
The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. This title takes a radically different approach to this emancipation. Beginning by asking what we mean by political art or the politics of art, it looks at what the tradition of …
This volume contains surveys of the main issues in philosophical aesthetics, as discussed by thinkers from ancient Greece to modern times. It is written by members of the Open University and the intention throughout is to make the issues intelligible and interesting to as wide a…
A collection of writings by a digital artist that blends personal memoir, net art theory, fictional narrative, satirical reportage, scholarly history, and network-infused language art. It tells the early history of a net art world "gone wild," while constructing a parallel poeti…
Leading philosopher of art Cynthia Freeland investigates some of the fascinating and fundamental questions posed by the art of portraiture, such as: What do portraits tell us? What do they mean? What makes a picture into a portrait? And can a picture of an animal ever really be …
Drawing on theorists such as Jean Baudrillard, Jacques Derrida, Michel Foucault, Luce Irigaray, Friedrich Kittler, Michel Serres, Peter Sloterdijk, Carl Schmitt, Bernard Stiegler and Paul Virilio this collection makes connections between Cold War material and conceptual technolo…
