Catherine Carswell (1879-1945), the novelist and biographer of Burns, was also a regular reviewer of new fiction in her early career. She became convinced that D. H. Lawrence was a great writer when she reviewed his first books, made his acquaintance, and became a lifelong and f…
Catherine Carswell (1879-1945), the novelist and biographer of Burns, was also a regular reviewer of new fiction in her early career. She became convinced that D.H. Lawrence was a great writer when she reviewed his first books, made his acquaintance, and became a lifelong and fa…
D. H. Lawrence once wrote that 'we have no language for the feelings'. The remark testifies to the struggle in his novels to express his sophisticated understanding of the nature of being through the intransigent medium of language. Michael Bell argues that Lawrence's unfashiona…
D.H. Lawrence once wrote that 'we have no language for the feelings'. The remark testifies to the struggle in his novels to express his sophisticated understanding of the nature of being through the intransigent medium of language. Michael Bell argues that Lawrence's unfashionab…
This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism, challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.
This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.
This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.
In Dangerous Masculinities, Thomas Strychacz has as his goal nothing less than to turn scholarship on gender and modernism on its head. He focuses on the way some early twentieth-century writers portray masculinity as theatrical performance, and examines why scholars have genera…
"In Dangerous Masculinities, Thomas Strychacz has as his goal nothing less than to turn scholarship on gender and modernism on its head. He focuses on the way some early twentieth-century writers portray masculinity as theatrical performance, and examines why scholars have gener…
"In Dangerous Masculinities, Thomas Strychacz has as his goal nothing less than to turn scholarship on gender and modernism on its head. He focuses on the way some early twentieth-century writers portray masculinity as theatrical performance, and examines why scholars have gener…
In Dangerous Masculinities, Thomas Strychacz has as his goal nothing less than to turn scholarship on gender and modernism on its head. He focuses on the way some early twentieth-century writers portray masculinity as theatrical performance, and examines why scholars have genera…
Although contemporary scholarship views D.H. Lawrence as a distinctly English author, Lee M. Jenkins argues for a reassessment of his relationship to American modernism and his American literary contemporaries, including "Studiesin Classic American Literature" and "The Plumed Se…
