Encyclopedie van het kunstlied, waarin vele facetten aan bod komen zoals liedvormen, tekstbronnen en -schrijvers en de bezongen onderwerpen.
Words and notes in the long nineteenth century
When Franz Schubert put Goethe's poem "Gretchen am Spinnrade" to music in 1814, he created a musical form that has captivated audiences ever since. In Poetry into Song, Deborah Stein and Robert Spillman challenge readers to seek a richer, more imaginative understanding of Lied -…
When Franz Schubert put Goethe's poem "Gretchen am Spinnrade" to music in 1814, he created a musical form that has captivated audiences ever since. In Poetry into Song, Deborah Stein and Robert Spillman challenge readers to seek a richer, more imaginative understanding of Lied -…
Franz Schubert's song cycles Schone Mullerin and Winterreise are cornerstones of the genre. But as Richard Kramer argues in this book, Schubert envisioned many other songs as components of cyclical arrangements that were never published as such. By carefully studying Schubert's …
Utilizing a topcial arrangement, the author examines the origins of 140 musical compositions associated with Christmas.
Utilizing a topcial arrangement, the author examines the origins of 140 musical compositions associated with Christmas.
What makes a classical song a song? In a wide-ranging discussion, covering such contrasting composers as Brahms and Berberian, Schubert and Kurtág, Jonathan Dunsby considers the nature of vocality in songs of the nineteenth and twentieth centuries.
What makes a classical song a song? In a wideranging discussion, covering such contrasting composers as Brahms and Berberian, Schubert and Kurtág, Jonathan Dunsby considers the nature of vocality in songs of the nineteenth and twentieth centuries.
"Using Schumann's Eichendorff Liederkreis as his primary example, David Ferris proposes a new conception of the Romantic cycle. Rather than try to demonstrate that the cycle of songs creates a unified whole, he focuses on the ways in which the fragmentary and open-ended nature o…
Using Schumann's "Eichendorff Liederkreis" as the primary example, this work sheds new light on the structure of 19th-century song cycles and on Schumann's particular response to the problem of musical coherence in large scale works. Drawing on analysis, literary criticism, and …
"With a new introduction by Gene Lees, this edition focuses on the melodic, harmonic, and rhythmic qualities that distinguish American popular music and have made it an authentic art form. Wilder traces the roots of the American style to the ragtime music of the 1890s, shows how…