In Christianity, the body is a potentially transformative vehicle, and the writings of Hadewijch of Brabant, a thirteenth-century beguine, engage with this tradition in ways both singular to her mysticism and indicative of her theological milieu. This study links the embodied po…
?It is strange,? Proust wrote in 1909,?that, in the most widely different departments ... there should be no other literature which exercises over me so powerful an influence as English and American.? In the spirit of Proust?s admission, this engaging and critical volume offers …
Organized thematically, this anthology provides a collective self-portrait of the New England mind. With an introductory essay on the origins of New England, a detailed chronology, and explanatory headnotes for each selection, the book is a welcoming introduction to a great Amer…
The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window ont…
Dating from the early decades of the third century C.E., the Ainkurunuru is believed to be the earliest anthology of classical Tamil love poetry and known to be a work of enduring importance. Commissioned by a Cera-dynasty king and composed by five masterful poets, the anthology…
The Chinese philosopher Zhuangzi (369?286 B.C.E.) encountered a skull that later in a dream praises the pleasures of death over the toil of living. This anecdote became popular with poets in the second and third centuries and found renewed significance with the founders of Quanz…
The author of at least two noteworthy romances of the early thirteenth century, Le Roman de la Rose or Guillaume de Dole and L'Escoufle (The Kite), as well as Le Lai de l'Ombre, Jean Renart is today recognized as the most accomplished practitioner of the "realistic romance" in O…
Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve kathars…
