"Forms of a World argues that poetic innovations of contemporary Anglophone poetry shape and are shaped by global forces. The poets in this book sense these conditions before they are made fully present and offer various responses to global transformation" ...
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"Forms of a World argues that poetic innovations of contemporary Anglophone poetry shape and are shaped by global forces. The poets in this book sense these conditions before they are made fully present and offer various responses to global transformation"--
Forms of a World argues that poetic innovations of contemporary Anglophone poetry shape and are shaped by global forces. The poets in this book sense these conditions before they are made fully present and offer various responses to global transformation.
This title offers the ideal introduction to the theories and debates surrounding world literature through extracts from the essential texts and writers in the field.
This book brings together thirty essential readings which display the theoretical foundations of the subject of world literature, as well as showing its conceptual development over a two hundred year period.--Publisher's description.
Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of …
A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika N…
A masterful writer working in many genres, Ngũgĩ wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika N…
Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of …
