What is it about Tony Soprano that makes him so amiable? For that matter, how is it that many of us secretly want Scarface to succeed or see Michael Corleone as, ultimately, a hero? What draws us into the otherwise horrifically violent world of the mafia? Roberto Dainotto explor…
What makes Tony Soprano so likeable? Why would we rather leave the cannoli and take the gun? Do we truly want Scarface's Tony Montana to succeed? Is Michael Corleone a misunderstood hero or a despicable villain? Roberto Dainotto traces the complex and fascinating development of …
What makes Tony Soprano so likeable? Why would we rather leave the cannoli and take the gun? Do we truly want Scarface's Tony Montana to succeed? Is Michael Corleone a misunderstood hero or a despicable villain? Roberto Dainotto traces the complex and fascinating development of …
Mafia movies: a reader
"The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of th…
"The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of th…
"This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is ca…
"This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is ca…
"This historical study explores the structure, myths and intertextual narratives found in the gangster films produced since The Godfather. The relationship between masculinity and ethnicity in the gangster film, especially within the movie-generated mythology of the Mafia, is ca…
The "post-classic" era of American gangster films began in 1967 with the release of Bonnie and Clyde, achieving a milestone five years later with the popular and highly influential The Godfather. This historical study explores the structure, myths and intertextual narratives fou…
Mafia movies: a reader
