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"This book examines how manuscript practices interacted with an expanding print marketplace to nurture and transform the period's literary culture. It unearths the alternative histories manuscripts tell us about British Romantic literary culture, describing the practices by whic…
This book examines how manuscript practices interacted with an expanding print marketplace to nurture and transform the period's literary culture. It unearths the alternative histories manuscripts tell us about British Romantic literary culture, describing the practices by which…
La 4e de couv. indique : "The focus of this volume may be summed up as "The Word". Its essays examine the contents and provenance of manuscripts which were written for polemical purposes, treasured by the duchess of York, and through the new medium of print introduced to a wider…
The focus of this volume may be summed up as "The Word". Its essays examine the contents and provenance of manuscripts which were written for polemical purposes, treasured by the duchess of York, and through the new medium of print introduced to a wider public topics of historic…
The focus of this volume may be summed up as "The Word". Its essays examine the contents and provenance of manuscripts which were written for polemical purposes, treasured by the duchess of York, and through the new medium of print introduced to a wider public topics of historic…
This series (pushes) the boundaries of knowledge and (develops) new trends in approach and understanding. ENGLISH HISTORICAL REVIEW.
Written in 1899-1900, Lord Jim is one of the key works of literary Modernism. A novel of immense power, it has never been out of print, attracting readers for over a century and variously influencing the development of twentieth-century fiction. This page-by-page transcription o…
Written in 1899-1900, Lord Jim is one of the key works of literary Modernism. A novel of immense power, it has never been out of print, attracting readers for over a century and variously influencing the development of twentieth-century fiction. This page-by-page transcription o…
No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval …
This book examines the glossing of a variety of fifteenth- and sixteenth-century texts by authors including Lydgate, Douglas, Chaloner, Baldwin, Bullein, Harington, and Nashe. It is concerned particularly with the use of glosses as a means for authors to reflect on the process o…
