Mrs Weil challenges two widely accepted views of Marlowe. He is not the poet and dramatist of heroic energy, 'daring God out of heaven' with his outrageous heroes. Nor is he a dogmatic moralist. Instead, he belongs to Merlin's race, as his contemporary Robert Greene suggested. A…
The author challenges two widely-accepted views of Marlowe. He is not the poet and dramatist of heroic energy, nor is he a dogmatic moralist. Instead, he belongs to Merlin's race, as his contemporary Robert Greene suggested. An ironic writer of riddling plays, he does not endors…
Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. He focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600…
Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on …
Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. He focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600…
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.
Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.