Marshall McLuhans Ausspruch »The medium is the message« gilt in besonderer Weise für das Radio der Sowjetzeit. Indem es Inhalte einem massenhaften Publikum in akustischer Form vermittelt, wird das Radio zum revolutionären Medium, das bürgerliche Wissensformen der Buchkultur zugu…
Marshall McLuhans Ausspruch "The medium is the message" gilt in besonderer Weise für das Radio der Sowjetzeit. Indem es Inhalte einem massenhaften Publikum in akustischer Form vermittelt, wird das Radio zum revolutionären Medium, das bürgerliche Wissensformen der Buchkultur zugu…
Marshall McLuhans Ausspruch »The medium is the message« gilt in besonderer Weise für das Radio der Sowjetzeit. Indem es Inhalte einem massenhaften Publikum in akustischer Form vermittelt, wird das Radio zum revolutionären Medium, das bürgerliche Wissensformen der Buchkultur zugu…
In the past decades, developments in the fields of medicine, new media, and biotechnologies challenged many representations and practices, questioning the understanding of our corporeal limits. Using concrete examples from literary fiction, media studies, philosophy, performance…
In a time of mass-mediated modernity, the city becomes, almost by definition, a constitutively 'mediated' city. Today, more than ever before, the omnipresence of media in every sphere of culture is creating a new urban ontology, saturating, fracturing, and exacerbating the manif…
In a time of mass-mediated modernity, the city becomes, almost by definition, a constitutively 'mediated' city. Today, more than ever before, the omnipresence of media in every sphere of culture is creating a new urban ontology, saturating, fracturing, and exacerbating the manif…
All history is media history, and all politics are media politics. This dissertation provides an analytical frame for seeing and studying the people, ideas, political movements, and social arrangements that populate history as both solid forms and fluid processes; that is, as be…
“Les Levine: Disposable Art, Technology, and Media, 1964–1971” traces how technology took shape as a material form and node of inquiry in art practice of the 1960s and 1970s through the work and writings of conceptual artist Les Levine. The study focuses on the stakes of making …