"El objetivo principal del libro es el análisis de las épocas más importantes del cine mexicano y su desarrollo tanto temático como formal centrando tal estudio en la cuestión de las identidades y de la construcción de la nationbuilding"--Publisher's description.
"El objetivo principal del libro es el análisis de las épocas más importantes del cine mexicano y su desarrollo tanto temático como formal centrando tal estudio en la cuestión de las identidades y de la construcción de la nationbuilding"--Source inconnue.
"El objetivo principal del libro es el análisis de las épocas más importantes del cine mexicano y su desarrollo tanto temático como formal centrando tal estudio en la cuestión de las identidades y de la construcción de la nationbuilding"--Publisher's description.
"El objetivo principal del libro es el análisis de las épocas más importantes del cine mexicano y su desarrollo tanto temático como formal centrando tal estudio en la cuestión de las identidades y de la construcción de la nationbuilding"--Publisher's description.
"This book draws on a multi-method study of film and television narratives of global criminal networks to explore the links between audiovisual media, criminal networks and global audiences in the age of digital content distribution. Mapping out media representations of the ongo…
"This book draws on a multi-method study of film and television narratives of global criminal networks to explore the links between audiovisual media, criminal networks and global audiences in the age of digital content distribution. Mapping out media representations of the ongo…
"Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legaci…
Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacie…
Mexico according to Eisenstein
by Eisenstein, Sergei, Karetnikova, Inga, Steinmetz, Leon
Mexico according to Eisenstein
by Eisenstein, Sergei, Karetnikova, Inga, Steinmetz, Leon
Sergei Eisenstein (1898-1948) spent just over a year in Mexico--from December 1930 to February 1932--a period during which he shot a huge quantity of footage for his (never-to-be-completed) film Que viva Mexico! This remarkable volume gathers the original script for Que viva Mex…