Three classic English novels, George Eliot's Middlemarch, E.M. Forster's Howards End and D.H. Lawrence's Women in Love, share a theme: they study the fortunes in love of two sisters, and all three books are descendants of Sophocles' Antigone, of which Forster said, ' ... of all …
Can reading Adam Bede and Middlemarch be justified in this time of climate change, financial meltdown and ineffective politicians? J. Hillis Miller shows how, to be read for today, they must be read slowly, closely and carefully, with much attention to linguistic detail and espe…
A masterclass in attentive reading that opens up brilliant insights into two of George Eliot's novels. Can reading Adam Bede and Middlemarch be justified in this time of climate change, financial meltdown and ineffective politicians? J. Hillis Miller shows how, to be read for to…
"A New Yorker writer revisits the seminal book of her youth--Middlemarch-- and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories."--From publisher description. "Rebecca Mea…
"A New Yorker writer revisits the seminal book of her youth--Middlemarch-- and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories."--Publisher description "Rebecca Mead was …
"A New Yorker writer revisits the seminal book of her youth--Middlemarch-- and fashions a singular, involving story of how a passionate attachment to a great work of literature can shape our lives and help us to read our own histories."--Publisher description. "Rebecca Mead was…
In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon's obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot's use of epigraphy and allusion seriously, and this bo…
In Middlemarch, George Eliot draws a character passionately absorbed by abstruse allusion and obscure epigraphs. Casaubon's obsession is a cautionary tale, but Adam Roberts nonetheless sees in him an invitation to take Eliot's use of epigraphy and allusion seriously, and this bo…