This text examines the representation of so-called Others, foreigners, ethnic minorities, & Okinawans, in Japanese cinema; investigating how these representations are related to the socio-political context of contemporary Japan.
This text examines the representation of so-called Others, foreigners, ethnic minorities, & Okinawans, in Japanese cinema; investigating how these representations are related to the socio-political context of contemporary Japan.
"On the fiftieth anniversary of the Voting Rights Act, a riveting and alarming account of the continuing battle over the right to vote The adoption of the landmark Voting Rights Act in 1965 enfranchised millions of Americans and is widely regarded as the crowning achievement of …
Introduction : maximum feasible participation -- Jack Kerouac's delinquent art -- Black Arts and the Great Society -- Legal services and the cockroach revolution -- Writing urban crisis after Moynihan -- Civil rights and the Southern folk aesthetic -- Who belongs in the universi…
This book traces American writers' contributions and responses to the War on Poverty. Its title comes from the 1964 Opportunity Act, which established a network of federally funded Community Action Agencies that encouraged "maximum feasible participation" by the poor. With this …
"Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That …
"Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That …
"Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That …