In Automatic for the Masses, Petre M. Petrov offers a novel, theoretically informed account of the transition from modernism to Socialist Realism, tracing their connections through Modernist notions of agency and authorship.
"At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuiti…
"At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuiti…
In Automatic for the Masses, Petre M. Petrov offers a novel, theoretically informed account of the transition from modernism to Socialist Realism, tracing their connections through Modernist notions of agency and authorship.
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