Be afraid, be very afraid - a century of cinema nightmare with John Landis From B-movie bogeymen and outer space-oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampa…
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Be afraid, be very afraid - a century of cinema nightmare with John Landis From B-movie bogeymen and outer space-oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampa…
Be afraid, be very afraid - a century of cinema nightmare with John Landis From B-movie bogeymen and outer space-oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampa…
The author of "The Japanese Filmography" presents the definitive, extensively illustrated study of Japanese science fiction movies. With the "Godzilla" movies (1954-1995) at the center of it all, Galbraith has assembled a virtual "Who's Who" of filmography and interviews of the …
"Since its publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis …
Since its publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis o…
"Since its publication, the works of the Marquis de Sade have challenged the reading public with a philosophy of relentless physical transgression. This is the first book-length academic study by a single author that applies the philosophy of the Marquis de Sade to the analysis …
"This critical text proposes that the horror film's primary purpose is to present monsters. These monsters satisfy the audience's desire to know the extremities of being, in particular those beings too fantastic and dangerous to know in real life. The text illuminates many aspec…
"Why are audiences drawn to horror films? Answers to that question include everything from a need to experience fear to a hunger for psychotherapy. This critical text proposes that the horror film's primary purpose is to present monsters, best understood as deformed and destruct…
"This critical text proposes that the horror film's primary purpose is to present monsters. These monsters satisfy the audience's desire to know the extremities of being, in particular those beings too fantastic and dangerous to know in real life. The text illuminates many aspec…
