Ever since its invention in Florence around 1600, opera has exerted a peculiar fascination for creative artists and audiences alike. A "Western" genre with a global reach, it is often regarded as the pinnacle of high art, where music and drama come together in unique ways, suppo…
What is opera? -- Giovanni Francesco Busenello and Claudio Monteverdi, L'incoronazione di Poppea (Venice, 1643) -- Nicola Francesco Haym and George Frideric Handel, Giulio Cesare in Egitto (London, 1724) -- Lorenzo da Ponte and Wolfgang Amadeus Mozart, Le nozze di Figaro (Vienna…
Opera has long fascinated creative artists and audiences alike. It is often regarded as the pinnacle of high art, yet it is also shrouded in mystique. This book unravels its many layers by looking closely at five of the most enduring and emblematic Italian operas from Monteverdi…
Ever since its invention in Florence around 1600, opera has exerted a peculiar fascination for creative artists and audiences alike. A "Western" genre with a global reach, it is often regarded as the pinnacle of high art, where music and drama come together in unique ways, suppo…
"Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works …
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works i…
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works i…
„Und er gehorcht, indem er überschreitet": Was Rainer Maria Rilke in seinen „Orpheus"-Sonetten formuliert, lässt sich auch als Motto des Komponierens für Stimme lesen. Von Monteverdi bis heute versuchen Komponistinnen und Komponisten, den Möglichkeiten der menschlichen Stimme zu…
PART I. Context and Sources. Mario Infelise. Libertinism and Politics : Notes for an Incognito Reading of L'Incoronazione di Poppea ; L'incoronazione di Poppea within the Context of Le ore ociose (1656) / Jean-Francois Lattarico ; Busenello and Monteverd : Toward les liasons des…
"Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective. The premise of the volume is the idea…
"Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective. The premise of the volume is the idea…
"Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective. The premise of the volume is the idea…