"After the 1872 publication of Exposé of Polygamy, Fanny Stenhouse became a celebrity in the cultural wars between Mormons and much of America. An English convert to Mormonism, she had grown disillusioned with the Mormon Church and with polygamy, which her husband practiced befo…
After the 1872 publication of Exposé, Fanny Stenhouse became a celebrity in the cultural wars between Mormons and much of America. An English convert, she had grown disillusioned with the Mormon Church and polygamy, which her husband practiced before associating with a circle of…
After the 1872 publication of Expose', Fanny Stenhouse became a celebrity in the cultural wars between Mormons and much of America. An English convert, she had grown disillusioned with the Mormon Church and polygamy, which her husband practiced before associating with a circle o…
After the 1872 publication of Exposé of Polygamy, Fanny Stenhouse become a celebrity in the cultural wars between Mormons and much of America. A well-educated, sophisticated English convert, she after her 1859 arrival in Utah grew disillusioned with the Mormon Church and polygam…
"After the 1872 publication of Exposé of Polygamy, Fanny Stenhouse became a celebrity in the cultural wars between Mormons and much of America. An English convert to Mormonism, she had grown disillusioned with the Mormon Church and with polygamy, which her husband practiced befo…
Both the Prophet Joseph Smith and his Book of Mormon have been characterized as ardently, indeed evangelically, anti-Masonic. Yet in this sweeping social, cultural, and religious history of nineteenth-century Mormonism and its milieu, Clyde Forsberg argues that masonry, like eva…
"Both the Prophet Joseph Smith and his Book of Mormon have been characterized as ardently, indeed evangelically, anti-Masonic. Yet in this sweeping social, cultural, and religious history of nineteenth-century Mormonism and its milieu, Clyde Forsberg argues that Masonry, like ev…