Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agnès Varda's Trinket box: subjective relationality, affect and temporalised space …
Tapping a rich vein of phenomenological and post-phenomenological approaches to film, this book explores how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Jenny Chamarette brings theorizations of phenomenology from philosophy, psychology and a…
How do movies engage us so thoroughly, capturing our sensations thoughts, and emotions? This edited volume introduces psychocinematics, which brings together film theorists philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our…
Psychocinematics: exploring cognition at the movies
"Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical…
"Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical…
Offers hints, tips and practical advice to help emerging film-makers discover an exciting form of expression, either for personal satisfaction or to make their mark in a highly competitive industry. This book includes: deciding what kind of film you want to make; choosing a came…
The social science of cinema
This book compiles research from such varied disciplines as psychology, economics, sociology business, and communications to find the best empirical research being done on the movies, based on perspectives that many filmgoers have never considered.
The social science of cinema
