"This book consists of three essays about three aspects of aesthetics in the cinema: montage, découpage and mise en scène. The three authors, each taking one of these three topics, present a historical and theoretical overview of these concepts in film theory and practice and di…
"This book consists of three essays about three aspects of aesthetics in the cinema: montage, découpage and mise en scène. The three authors, each taking one of these three topics, present a historical and theoretical overview of these concepts in film theory and practice and di…
"Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales . The volume opens with a discussion of current research in narratology, as applied to Roman historian…
Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales.
Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales. The volume opens with a discussion of current research in narratology, as applied to Roman historians.…
Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales.
Combining the studies of modern film, traditional narratology, and Roman art, this interdisciplinary work explores the complex and highly visual techniques of Tacitus' Annales.
James Monaco discusses the elements necessary to understand how a film conveys its meaning, and, more importantly, how the audience can best discern all that a film is attempting to communicate.
Montage, découpage, mise en scène: these three French terms are central to debates around film history and aesthetics in every language, yet the precise meaning of each and especially their relations with one another remain a source of confusion for many. In this unique volume, …
"The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition,…
"The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition,…
"The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film. The shots may look good, but they will not serve the story until the composition,…
Table of Contents; Introduction; Deadpan: Stranger Than Paradise, Deadman and The Second Circle; Stillness: Elephant and Mother and Son; Long Shot: Distant and Climates; Wait Time: The Death of Mr. Lazarescu, 4 Months, 3 Weeks and 2 Days and Safe; Drift and Resistance: Liverpool…
La 4e de couv. porte : "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema's reliance on motion and action."
