Motiv

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Introduction: the impossible self -- Empiricism and despair -- Wordsworth, Plato, and Blake -- The four Zoas: transcendental remorse -- Milton: the guarded gates -- Jerusalem: the will to solitude.

Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterizations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best ackn…