There is no soundtrack amplifies new and radical audio-visual relationships in experimental media art. It addresses the lack of diversity in the study of art, media and sound through careful audition of marginalised voices that speak of race, gender, sexuality, indigeneity, colo…
Artists have always experimented with the potentials film, video and digital technology. 'Preserving and Exhibiting Media Art' highlights the challenges these new multimedia works pose to the traditional ways of collecting, preserving and exhibiting art. In addition, it outlines…
"This book describes three phenomena in digital media. Firstly, it concerns the 8-bit personal computer ZX Spectrum produced by the British company Sinclair Research since 1982. As a publication about a specific platform, it falls into the mainstream category of platform studies…
Designed around contextual studies of virtuality and the art of exhibition, this volume applies practice-based research to a broad range of topics, including digital mediation, spatial practice, the multimedia museum, and curatorial design.
Digital technologies are playing an increasingly instrumental role in guiding the curatorial and institutional strategies of contemporary art museums today. Designed around contextual studies of virtuality and the art of exhibition, this interdisciplinary volume applies practice…
by Hope, Cat
fromBloomsbury new media series
This text presents an introduction to new media art through key debates and theories. This book begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Considering…
by Hope, Cat
fromBloomsbury new media series
"Digital arts presents an introduction to new media art through key debates and theories. This book begins with the historical contexts of the digital arts, discusses contemporary forms, and concludes with current and future trends in distribution and archival processes. Conside…
If you attend a contemporary art exhibition today, you're unlikely to see much traditional painting or sculpture. Indeed, artists today are preoccupied with what happens when you leave behind assumptions about particular media - such as painting, or woodcuts - and instead focus …
"Garrett Stewart in Transmedium dubs this new approach Conceptualism 2.0, an allusion in part to the computer images that are so often addressed by these works. A successor to 1960s Conceptualism, which posited that a material medium was unnecessary to the making of art, Concept…
This book follows recent artists in a vein of second-wave of Conceptual art practice dubbed Conceptualism 2.0--in works shadowed by the digital if not directly employing it: works that negotiate a sensory space between medium specificity, in the high modernist mode, and recent c…
