Northern Ireland remains a divided community in which traditional culture, in all its manifestations, is widely understood as a marker of religious affiliation and ethnic identity. Since the outbreak of the most recent 'troubles' around 1968, the borders between the communities …
Intimate, anecdotal, and spell-binding, Singing Out offers a fascinating oral history of the North American folk music revivals and folk music. Culled from more than 150 interviews recorded from 1976 to 2006, this captivating story spans seven decades and cuts across a wide swat…
Ana Hofman examines the negotiation of the gender performances in Serbian rural areas as a result of the socialist gender policy and creation of the new "femininity" in the public sphere. She focuses on the stage performances of female amateur groups at the Village Gatherings, s…
Focusing on several distinct genres of eighteenth-century Irish song, Henigan demonstrates in each case that the interaction between the elite and vernacular, the written and oral, is pervasive and characteristic of the Irish song tradition to the present day.
Native American drumming and chant; Czech and German polka; country fiddling; African American spirituals, blues and jazz; cowboy songs; Mexican corridos; zydeco; and the sounds of a Cambodian New Year's celebration - all are part of the amazing cultural patchwork of traditional…
Welsh Ballads of the French Revolution provides for the first time an edition, with parallel English translations, of Welsh-language ballads composed in reaction to the momentous events of the Revolution in France and the two decades of war which followed. Ballad writers were fi…
Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context. Attention is give…
Highlights the stories behind thirteen field recordings captured between 1934 and 1942, focusing on the experiences of the people--ranging from students to prisoners--who contributed to the recordings.
Irish music enjoyed popularity across Europe and North America in the second half of the twentieth century. Regional circumstances created a unique reception for such music in the English Midlands. This book is a musical ethnography of Birmingham, 1950-2010. Initially establishi…
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