In the World Library of Educationalists series, international experts compile career-long collections of what they judge to be their finest pieces - extracts from books, key articles, salient research findings, major theoretical and practical contributions - so the world can rea…
Perfect for musicians who want to dive into the world of computer music and physical computing, this book aims at giving insight on a few of the most widely used tools in the fields of creative coding and DIY digital electronic musical interfaces. --
Digital Electronics for Musicians
Build intuitive electronic and electroacoustic music interfaces.
Perfect for musicians who want to dive into the world of computer music and physical computing, this book aims at giving insight on a few of the most widely used tools in the fields of creative coding and DIY digital electronic musical interfaces. --
Exploring the many aspects of Erik Satie's creativity, Caroline Potter examines his philosophy and psychology, revealed through his music; Satie's interest and participation in visual and literary artistic media; and his collaborations with other artists. His artistic activity, …
Through rich ethnographic detail and cutting-edge theory, 'DIY Style' tells the fascinating story of an international do-it-yourself (DIY) movement through a major case study of the 'indie' music and fashion scene in Indonesia.
"French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with mod…
French concert music and jazz often enjoyed a special creative exchange across the period 1900-65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal …
"French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with mod…
"French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with mod…
French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with moda…
La 4e de couv. indique : "French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially…
"French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with mod…