Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate cou…
"Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate co…
The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends th…
In Musical Form, Forms & Formenlehre : Three Methodological Reflections, three eminent music theorists consider the fundamentals of musical form. They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate t…
The tone of the debates among Caplin, Hepokoski, and Webster (in the form of comments on each author''s essay and then responses to the comments), though tactful, is obliquely blunt and tendentious; like the best of tennis pros, each author strives to serve an ace and defends th…
"There's a moment in Janis Joplin's rendition of "Piece of My Heart" that anyone who has heard the song even once will recall vividly. I'm referring of course to Joplin's explosive cry of "take it!" about a minute in, right at the beginning of the chorus. This moment seems to em…
"There's a moment in Janis Joplin's rendition of "Piece of My Heart" that anyone who has heard the song even once will recall vividly. I'm referring of course to Joplin's explosive cry of "take it!" about a minute in, right at the beginning of the chorus. This moment seems to em…